Public History – Page 2

Digital Humanities at NCPH

The digital humanities are well represented this week at the National Council for Public History annual meeting in Portland, Oregon. By my count, fully nine of the approximately ninety sessions, workshops, working groups, and posters are either entirely or partially dedicated to the web and other digital outlets for public history. This equals the nine digital history sessions on the program at the much (many times) larger American Historical Association in January.

Here’s the list with times and titles. Please consult the full program online [.pdf] for room numbers and participants (and please contact me if I left anyone out!)

Thursday March 11, 8:00 am – 10:00 am
Jump Start Your Digital Project in Public History

Thursday, March 11, 1:30 pm – 3:00 pm
Digital Curricula in Public History

Thursday, March 11, 3:30 pm – 5:00 pm
History 2.0: Engaging the Public in History through the World Wide Web

Friday March 12, 10:30 am – 12:00 pm
Issues in Historic Preservation (including Cara Kaser on “Using Digital Tools in Historic Resource Surveys: The Oregon Survey Program”)

Saturday, March 13, 8:00 am – 10:00 am
Publish, Share, Collaborate, and Crowdsource Collections: Zotero 2.0 For Public Historians

Saturday, March 13, 10:30 am – 12:00 pm
Community of Records in the Age of New Media: Family History as Public History

Saturday, March 13, 3:00 pm – 5:00 pm
Poster – The Flushing Local History Project: A Digital Community Art Project and Archive

Saturday, March 13, 3:00 pm – 5:00 pm
Poster – Yesteryear: Historical Blogs as Educational Tools

Saturday, March 13, 4:30 pm – 6:30 pm
Omeka: An Open Source Tool for Publishing Cultural Heritage Online

Rosenzweig Forum Returns

The Rosenzweig Forum for Digital Humanities returns this month with a program entitled “Negotiating the Cultural Turn(s): Subjectivity, Sustainability, and Authority in the Digital Humanities.” On Wednesday, February 17, 2010 from 4:30 to 6:30 p.m. in the Murray Room of Lauinger Library at Georgetown University, Tim Powell and Bethany Nowviskie will address and open a conversation about issues of cultural authority, intellectual property, innovation vs. sustainability, objectivity, and the need to think outside the academy’s walls.

Tim Powell directs digital archive projects for the Ojibwe Indian bands of northern Minnesota, the American Philosophical Society, and the University of Pennsylvania Museum of Archaeology and Anthropology. Tim will speak about a project entitled Gibagadinamaagoom (Ojibwe: “To Bring to Life, to Sanction, to Give Authority”) and how the focus on Ojibwe culture affects issues of intellectual property, open access, and the design of the interface, metadata, and database.

Bethany Nowviskie directs the University of Virginia Library’s efforts in digital research and scholarship, and is also associate director of the Mellon-funded Scholarly Communication Institute. She will discuss a number of projects from UVA’s SpecLab, Scholars’ Lab, and NINES research groups related to the expression of subjectivity and perspective in interpretive digital environments.

Named in honor of our good friend Roy Rosenzweig, the Rosenzweig Forum is a collaboration of CHNM, the Center for New Designs in Learning & Scholarship (CNDLS) at Georgetown University, and the Maryland Institute for Technology in the Humanities (MITH) at the University of Maryland.

Gearing up for NCPH

The annual meeting of the National Council on Public History (NCPH) is only six weeks away, and CHNM will be there in force. On Thursday, March 11, we will be running a working group to help “Jump Start Your Digital Project in Public History.” On Saturday, March 13, we will be running a special workshop on getting started with Omeka.

NCPH is one of my favorite conferences of the year, attended by some of the most interesting people working in history today. Check out the full program online at NCPH’s slick, new, WordPress-powered website. See you in Portland!

Privatizing Holocaust History?

For the past few years, the National Archives and Records Administration (NARA) has undertaken a series of public-private digitization partnerships, especially with a company called Footnote.com. These partnerships provide NARA with free digitization services, and visitors to NARA’s reading rooms with access to the products, but allow Footnote.com and NARA’s other private partners to charge offsite users for online access public documents. I have never been particularly thrilled with this arrangement—charging the American people for access to their own records and all that—but in the past the projects have focused mainly on older document collections of mainly genealogical interest. Now NARA announces that online access to its collection of Holocaust-related material is being made available through Footnote.com, free for the month of October, but presumably for a fee afterwards. Something about this doesn’t sit right with me: should we really be limiting access to a history we desperately don’t want to repeat?

Another concern is Footnote.com’s extensive use of social media. Web 2.0 technologies provide tremendous opportunities for knowledge sharing and creating community around cultural heritage. But when dealing with topics as difficult as genocide, the values of sharing and openness need to be tempered by caution and sensitivity towards victims and their memory. For topics like the Holocaust, public tagging, spontaneous tweets, and YouTube mash-ups may not be the most appropriate or productive vehicles for public discussion and reflection. Indeed, this difficult question of how best to implement social media around topics of conscience is the premise behind CHNM and the United States Holocaust Memorial Museum’s upcoming event, The Conscience Un-Conference, which remains open for applications until October 13, 2009.

The Conscience Un-Conference: Using Social Media for Good

Inspired in part by THATCamp, the Conscience Un-Conference: Using Social Media for Good is now open for applications. Co-hosted by the United States Holocaust Memorial Museum (USHMM) and the Center for History and New Media, the Conscience Un-Conference is a free, one-day “un-conference” that intends to bring together interesting and interested people to talk about the problems, practicalities, and opportunities of using social media to further the missions of “institutions of conscience”—those concerned with violence and atrocities, human rights, and related issues. I feel very fortunate to be among the great group from USHMM planning the event.

The un-conference will be held on Saturday, December 5, 2009 from 8:30am to 5:30pm at USHMM in Washington, DC. To learn more and submit an application, visit http://www.ushmm.org/social/blog/.

Briefly Noted: Surviving the Downturn; Help with Creative Commons; Yahoo Pipes

The American Association of State and Local History (AASLH) provides cultural heritage professionals with some relevant information on surviving the economic downturn.

JISC provides advice on choosing (or not choosing) a Creative Commons license.

Missed it at the launch? Didn’t see the point? Don’t know where to start? Ars Technica has a nice reintroduction and tutorial for Yahoo Pipes, a visual web content mashup editor. Here’s an example of the kind of thing you can do very easily (20 minutes in this case) with Pipes: an aggregated feed of CHNMers’ tweets displayed on a Dipity timeline.

CHNM Tweeps on Dipity.

Briefly Noted for March 9, 2009

This year CHNM and the American Historical Association will be pleased to award the first Rosenzweig Fellowship for Innovation in Digital History in memory of our late friend and inspiration, Roy Rosenzweig.

The American Association for State and Local History has launched a traveling exhibition directory for museums and other organizations looking to find and publicize traveling exhibitions.

Smithsonian Director of Web and New Media Strategy, Mike Edson, has posted his spot-on treatment of lingering concerns over social media and web technology among collections professionals and administrators. The presentation originally appeared at the recent WebWise conference in Washington, DC.

Briefly Noted for February 10, 2009

Jessica Pritchard of the American Historical Association blog reports on a panel at last month’s annual meeting that asked what it takes to be a public historian. Entitled “Perspectives on Public History: What Knowledge, Skills, and Experiences are Essential for the Public History Professional?” the panel was chaired by George Mason’s own Spencer Crew.

Going back a bit to the December issue of Code4Lib Journal, Dale Askey considers why librarians are reluctant to release their code and suggests some strategies for stemming their reluctance. I have to say I sympathize completely with my colleagues in the library; I think the entire Omeka team will agree with me that putting yourself out there in open source project is no easy feat of psychology.

The Bowery Boys, hosts of the excellent NYC History podcast, give us The History of New York City in Video Games, a thoroughgoing look of how New York has been pictured by game designers from the Brooklyn of the original Super Mario Brothers to the five boroughs of Grand Theft Auto IV’s “Liberty City.”

John Slater, Creative Director of Mozilla, rightly notes that, however unlikely, t-shirts are important to the success of open source software. In his T-Shirt History of Mozilla, Slater shows us 50 designs dating back to late 1990s.

Tragedy at the Commons

Nat Torkington at the O’Reilly Radar blog has news this morning that George Oates, Senior Program Manager in charge of Flickr Commons and an original member of the Flickr design team, has been laid off by Flickr’s parent company Yahoo! As the person at Yahoo! responsible for bringing together the energy and cultural resources of the Smithsonian Institution, the Library of Congress, the Powerhouse Museum, the National Library of New Zealand, the Library of Virginia, the Imperial War Museum, and, most recently, the New York Public Library, Oates has quietly done as much as anyone in the past several years to increase and improve online access to cultural heritage collections around the world. It’s sad enough just at that. But Oates’ layoff also raises some larger questions. Is this just one of those things we see in a bad economy, or is it a reason why cultural organizations should roll their own rather than using commercial services for online work?

Torkington believes that the enthusiasm and community Flickr Commons has attracted will sustain the project through the economic downturn and what at best is likely to be a period of neglect by Flickr and its parent. Let’s hope so. A less rosy scenario is that Yahoo! decides that in tough economic times the goodwill and visibility generated by hosting the educational and cultural heritage materials of public institutions isn’t worth the cost of bandwidth.

This story drove home to me a contradiction in my own rhetoric that I hadn’t noticed before. On the one hand I have been a proponent of Flickr Commons, university channels on Google’s YouTube, and the like, recommending them to partners and colleagues as an easy way to reach out to new audiences, build communities around content, and basically just get your stuff up without the hassle of software and sys admin. On the other hand, I have repeatedly criticized the enthusiasm some digital humanists have shown for Second Life, in large part on the basis of the fact that Linden Lab (SL’s parent company) could at any moment go under or simply decide to take another business direction—and in doing so take with them all the hard, largely publicly-funded work museums, libraries, and digital humanists have put into the platform. Only today, when I read of George Oates’ sacking, did I realize that what’s good for the goose should be good for the gander. While the long term prospects of Yahoo! and especially Google may be brighter than those of Linden Lab, nevertheless they are still big companies whose first responsibility is to their shareholders and the bottom line, not to cultural heritage, education, or the work of digital humanities.

My guess is that Flickr Commons will be just fine, and I still believe there is a lot of good in the idea. But the news about George Oates, someone who was universally well-regarded in our business and in the web business more generally, should give all of us pause. Specifically, it should let us ask again whether the benefits in ease, reach, and community of using commercial services for presenting cultural heritage collections and educational resources really outweigh the costs in storage, systems administration, and content segregation of rolling your own.

I’d love to hear your thoughts.

Briefly Noted for December 16, 2008

Jeremy finishes up his great how-to series on design process in the digital humanities.

Congratulations to Mark Tebeau and his colleagues at Cleveland State’s Center for Public History and Digital Humanities on their very well designed new website. I especially like the “collaborate” tab in the main navigation.

Pastigo geolocates information about historical sites and provides historical travel planning tools.

Great Cereals of All Time. A Dipity timeline of all your breakfast favorites. Like Mikey, I’m a Life man myself.