In Mario Through the Years, GameDaily offers readers a several-thousand-word biography of Mario, twenty-six year veteran of Nintendo gaming, star of more than 100 games, and stalwart defender of Pauline’s virtue against Donkey Kong’s relentless advances.
Predictably, the Harvard undergraduate plagiarism scandal has focused more attention on the thief—sophomore Kaavya Viswanathan—than on the thieved, coming-of-age novelist Megan McCafferty. In terms of found history, however, McCafferty is much more interesting than Viswanathan. Each day in (retro)blogger, McCafferty offers a glimpse into her past, reproducing an entry from her own teenage diary for the corresponding date. Today, for example, McCafferty gives us her diary entry from May 11, 1987. On Saturday, she posted her entry from May 6, 1991. It’s probably a stretch to call (retro)blogger history, but McCafferty’s clever adaptation of the chronological weblog medium to re-collect entries from her childhood journal not only suggests her own intimate connection with the past, but also does a good job of conveying that connection to her readers, simply and effectively making the past more present for us as well as her.
This is a little (lot) late in coming, but I want to say something about this past winter’s Oprah-James Frey controversy. For those of you who don’t remember, the controversy erupted when Oprah discovered that James Frey had “lied” in writing “A Million Little Pieces,” the memoir of his struggle with drug addition, which Oprah recommended to her viewers as part of “Oprah’s Book Club.” In a memorable episode, Oprah invited Frey to her program to scold him for his disingenuousness and to demand an apology. A clearly frightened Frey aquiesced to Oprah and dutifully took his medicine.
This episode excited an army of pundits, most of whom joined Oprah in condemning Frey. It also elicited widespread commentary on Oprah’s cultural importance, both as an arbiter of ethics and taste and as a king-maker in television, publishing, and other media.
There was also a discussion of how now to shelve Frey’s book, as fiction or non-fiction. Most of this discussion hinged on just how much of Frey’s book was factual and how much was fabricated. Implicit in these discussions was a firm equation of the terms “non-fiction” and “fact.”
This equation, I think, demonstrates a key difference in the way professional historians view history and the way the general public views history. Or at least in the way the two groups view historical sources. That is, I don’t think there are many professional historians who would surprised if they found certain details of any given memoir, whether by Frey or Honest Abe, to have been fabricated, exaggerated, etc. Trained to be critical of sources, historians view even “non-fiction” books (especially memoirs) critically, and they do not trust every “fact” presented to them as such.
At the same time, this does not mean that historians dismiss out-of-hand any book containing factual errors or fabrications as wholly untruthful. We all know that a lot of valuable truth can be gleaned from mis-recollected, or exaggerated, or self-serving personal narratives. I guess you could say that historians have a more subtle notion of the relationship between “facts” on the one hand and “truth” on the other.
I hope nobody thinks I’m defending Frey. The guy is a confessed liar. But sources—especially auto-biographies—are always slippery, and they always stand in complex relationship to historical truth.
I just had an interesting meeting with Marshall Poe, historian, author, and founder of MemoryWiki, a MediaWiki-powered site that allows visitors to store personal memories. Last week, I had lunch with Sarah McCue, who launched The Remembering Site to help people record their family histories. MemoryWiki and The Remembering Site represent two different approaches to popular historical documentation, the former concentrating on particular events as the primary units of memory, the latter on whole biographies. But both sites are dedicated to fostering the kind of non-professional historical production to which Found History is dedicated. Good luck to Sarah and Marshall!