When UConn broke up with Adobe: A parable of artists and copyright
One of the things I try very hard to do in my DMD 2010 “History of Digital Culture” class is
My new outfit: Greenhouse Studios | Scholarly Communications Design at the University of Connecticut
Looking down the page, it seems I haven't posted here on the ol' blog in nearly three
Elevator Pitch
Last week I had the pleasure of serving as facilitator at the first Mellon-funded Triangle Scholarly Communication Institute (SCI) in
What The New Yorker Got Wrong About Lawrence Lessig
In its October 13, 2014 article about Lawrence Lessig's Mayday PAC, The New Yorker writes:
In 2001, Lessig
Getting into Digital Humanities: A top-ten list
Today I'll be joining a roundtable discussion hosted by the New York Council for the Humanities for its
Innovation, Use, and Sustainability
Revised notes for remarks I delivered on the topic of "Tools: Encouraging Innovation" at the Institute of Museum
The Dividends of Difference: Recognizing Digital Humanities' Diverse Family Tree/s
In her excellent statement of digital humanities values, Lisa Spiro identifies "collegiality and connectedness" and "diversity"
Uber and Airbnb
I'm extremely uneasy about startups like Uber and Airbnb whose business models are grounded in sidestepping regulations that
Looks Like the Internet: Digital Humanities and Cultural Heritage Projects Succeed When They Look Like the Network
A rough transcript of my talk at the 2013 ACRL/NY Symposium last week. The symposium's theme was
No Holds Barred
About six months ago, I was asked by the executive director of a prestigious but somewhat hidebound—I guess "
